Commercial Radio & Audio (CRA) has reported total radio revenue of $309.2 million for Q2 2025, remaining stable year-on-year (YOY) as strong digital growth powers performance.
Metro broadcast radio remained stable at $177.1 million, while regional radio saw a 5.3% YOY dip to $103.4 million. The flat result comes amid election-related advertising shifts and softness in a few key brand categories.
Digital audio revenue continued its upward trajectory, rising 27.4% to total $28.7 million.
CRA noted that it had several major projects in train set to drive future growth, including the CRA Audio ID solution to deliver smarter targeting, an upgraded RadioApp to enhance consumer engagement, and a new national campaign showing brands the Power of Audio.
Lizzie Young, CEO of CRA said: “The strength of digital growth and the consistency of metro broadcast are clear signals of audio’s enduring value. While there are challenges in the broader advertising sector which we have felt in some regional markets, it’s clear to us where the market is shifting, and we’re acting to capture more of that demand.”
“Advertisers are requiring more certainty for investment confidence. They need more insight, more efficiency, more return; audio is perfectly positioned to deliver on all fronts. With CRA Audio ID launching, our upgraded RadioApp rolling out, and our Power of Audio campaign hitting the market, we’re giving advertisers the tools and proof points they need to unlock audio’s full potential. Supporting it with a clear total audio strategy to perform at their best.”
Source: CRA revenue results were compiled by media analytics firm Milton Data. Broadcast revenue includes metro and regional advertising, while digital audio encompasses streaming and podcasting.
ARN has appointed one of Australia’s most respected data experts, Angelo Sinibaldi, as Director of Data Product Strategy and Commercialisation, a newly created role responsible for leading the strategy, development and commercialisation of ARN’s data offerings.
Reporting to Ben Campbell, Director of Digital Strategy, Data & Digital Ventures, he will lead ARN’s commercial data product portfolio – developing the go-to-market strategy, building strategic partnerships, and driving new revenue streams through innovative, insight-led data products.
ARN has three million registered users via iHeart – the leading digital platform for live radio streaming, podcasts, music streaming and artist radio.
Angelo brings 25 years’ experience in senior data roles in Australia. He has led the development of data strategy and monetisation for Acxiom, Experian and Australia Post’s former data division, First Direct. Most recently, he was the Director – Data Commercialisation and Strategy at Nine Entertainment Co. He has been a long-standing member of the IAB Australia Data Council and has played an active role in shaping industry-wide data standards and infrastructure.
Ben Campbell, Director of Digital Strategy, Data & Digital Ventures at ARN, said: “Digital audio is the fastest growing channel in Australia and globally, with the iHeart Network reaching more than seven million Australians every month. The opportunity to leverage ARN and iHeart’s powerful first-party data to enhance how brands connect with our massive audience is enormous. Angelo is one of Australia’s data leaders with deep expertise in this space. We couldn’t be happier to welcome Angelo to the ARN team and look forward to the contribution he’ll make in shaping ARN’s data strategy and products for our advertisers.”
Angelo Sinibaldi said: “Australians are consuming more digital audio than ever before. ARN has a leading first-party data asset via its long-standing strategic partnership with iHeart, with deep insight into Australians’ demographics, listening habits, behaviours, and interests. There’s huge potential to unlock value for clients and agencies.”
Angelo commences at ARN today, Monday 11 August 2025.
92.9 Triple M has today announced that Xavier Ellis and Katie Lamb have signed a multi-year deal with the station, continuing their run as hosts of Perth’s popular local breakfast show.
The new deal will see Triple M’s Xav & Katie continue to wake up Perth, bringing their unmistakable chemistry and genuine friendship to the airwaves each weekday morning.
Since launching the show in 2024, the duo has struck a powerful chord with listeners across the city, recently delivering the best-ever Breakfast result in Triple M Perth’s history, with a 13.4% share*, and the strongest on the 92.9 frequency since 2010. The show also recorded an increase of 41,000 listeners, reaching a cumulative audience of 239,000. Xav & Katie also claimed the coveted #1 spot in the ‘Audience that Matters’ (All People 25–54) with a 24.1% share* and recorded a #1 result with Men 25–54 (31.9%)* in the latest GfK radio ratings survey.
Xav said: “People receive medals for winning races, returning from war and working multiple years with Katie Lamb. It’s a privilege to speak daily with our friends throughout Perth every morning and I’m so happy to be able to extend that into the future. I can’t wait to meet Katie’s beautiful daughter and beyond that, I’m excited to spend each morning with Katie next year.”
Katie said: “Really excited to lock in a few more years at Triple M with Xav and his four nipples!
“I’ve loved working on the breakfast show so far, so many laughs on and off the air, it makes those 4am alarm clocks totally worth it! Can’t wait to return next year with plenty more content being a new Mum, any advice and guidance from our listeners will be welcome as I literally have no idea what I’m doing…
“Looking forward to more people joining in on the banter with X-man and me for your morning commute!”
James Speed, Group Content Director Perth SCA, said: “Since joining forces in 2024, Xav & Katie have taken off in the breakfast slot. Their genuine friendship and chemistry are unreal, it’s like listening to a bunch of mates having a laugh, and the audience is loving it. The show’s already made its mark in the market, and we’re only just getting started.
“Today’s announcement is a reflection of how much belief we have in this team and where they’re headed. They’ve already delivered some outstanding results, and the momentum is building. Triple M’s made a real statement in 2025, the ratings tell us Perth is on board, and we’re pumped to keep delivering local content that hits home. We’re also focused on working closely with our clients and partners to achieve genuine, long-term success together.”
Katie will return to the show in 2026 following parental leave. In the meantime, Dani Shuey will continue to join Xav in the Triple M studio each morning from 5:30am.
Kent ‘Smallzy’ Small has decided to leave NOVA Entertainment after 23 stellar years on the network.
In what is genuinely an ‘end of an era’ moment, Smallzy will sign-off one last time from Smallzy’s Surgery at the end of this week.
The numbers speak for themselves with the Surgery dominating its timeslot, having spent over 13 years and 92 surveys as the #1 choice for Australians.
Smallzy’s Surgery effectively invented the format in this country and, year after year, listeners have come to Nova FM every weekday evening for a unique take on pop culture, music news and celebrity gossip. All of this has been underpinned by the relationships Smallzy has built, and the unparalleled access he enjoys to the world’s biggest stars.
A word from the man himself:
“The time has come to hang up the headphones in Smallzy’s Surgery. What a ride. I’m so proud to have been part of the Nova network since the beginning. When I started the show, I never would have imagined getting to do the things I have done, from celebrity interviews, to Nova’s Red Room and travelling the globe covering the biggest events. They’ve all made the show something very, very special.
Thank you to everyone who’s been part of the show, including the wider NOVA team behind the scenes. I leave with fond memories, lifelong friendships, but most importantly I’m grateful to every single person who has ever chosen to spend their night with me.”
Smallzy will broadcast his final show this Friday 15th August from 8pm-10pm.
NOVA Entertainment would like to thank Smallzy and we wish him all the best for what comes next.
Commercial Radio & Audio (CRA) has reported total radio revenue of $309.2 million for Q2 2025, remaining stable year-on-year (YOY) as strong digital growth powers performance.
Metro broadcast radio remained stable at $177.1 million, while regional radio saw a 5.3% YOY dip to $103.4 million. The flat result comes amid election-related advertising shifts and softness in a few key brand categories.
Digital audio revenue continued its upward trajectory, rising 27.4% to total $28.7 million.
CRA noted that it had several major projects in train set to drive future growth, including the CRA Audio ID solution to deliver smarter targeting, an upgraded RadioApp to enhance consumer engagement, and a new national campaign showing brands the Power of Audio.
Lizzie Young, CEO of CRA said: “The strength of digital growth and the consistency of metro broadcast are clear signals of audio’s enduring value. While there are challenges in the broader advertising sector which we have felt in some regional markets, it’s clear to us where the market is shifting, and we’re acting to capture more of that demand.”
“Advertisers are requiring more certainty for investment confidence. They need more insight, more efficiency, more return; audio is perfectly positioned to deliver on all fronts. With CRA Audio ID launching, our upgraded RadioApp rolling out, and our Power of Audio campaign hitting the market, we’re giving advertisers the tools and proof points they need to unlock audio’s full potential. Supporting it with a clear total audio strategy to perform at their best.”
Source: CRA revenue results were compiled by media analytics firm Milton Data. Broadcast revenue includes metro and regional advertising, while digital audio encompasses streaming and podcasting.
Taking place in Hobart from 23–25 October, the program will feature sector leaders and experts exploring the many facets of community broadcasting. We hope you’ll find it educational, entertaining and inspiring.
Some program highlights
Putting Your Station on the Map: on awareness, talent branding and station identity, featuring Mona’s DarkLab Music Director Kimberley Galceran, RTRFM‘s Pamela Boland and author Matt Romania.
The Next Step in Station Fundraising: join 3MBS‘s Stephen Pyk in exploring how to identify, attract and retain donors.
The Future Is Accessible: Innovation Through Inclusion: experts in disability media break down the benefits of inclusion for broadcasters and people with disability.
Small Station, Big Impact: a hands-on workshop for smaller stations with big ambition featuring representatives from the Community Broadcasting Foundation (CBF) and Technorama.
AI and Media: Opportunities, Challenges and Audience Trust: Dr Michael Davis from UTS will summarise how news and media industries are using AI technology in 2025
Sessions by stream
This year’s program continues the popular three-stream format, Business, Content and Foundations, so you can easily find sessions tailored to your role and interests.
Business of Broadcasting Dive into practical sessions on topics like risk management, donor strategy and international trends. This stream is ideal for station managers, board members and anyone working on governance, income and sustainability.
Content of Broadcasting For program makers, content curators and music lovers, this stream covers everything from music programming to news and specialty storytelling. If you’re passionate about what goes to air, this stream is for you.
Foundations of Broadcasting In partnership with the Community Media Training Organisation (CMTO), this stream offers introductory sessions on core skills, including sport broadcasting, on-air branding and archival. This stream is ideal for newer broadcasters or those looking to sharpen the basics.
Register now to save
The second release of conference tickets is on sale now for $695, but only until 14 September. After this date, prices rise to $895.
Register now to lock in the lower price and join us in Hobart for the premier event in community broadcasting.
Manage the local community radio station based in Orange NSW and serving local communities across The Central West. A full-time role working 38 hours a week. Some weekend and evening work required. The successful applicant must have the ability to obtain a Working With Children Check.
About Us
Work from our studio in the beautiful city of Orange, to provide a community broadcast across the Central West.
Orange Community Broadcasters Ltd. – FM107.5 – has operated a community radio licence to broadcast across Blayney, Cabonne and Orange Local Government Areas since 1998.
We have recently received the funding to upgrade our broadcast equipment. You will be working in state-of-the-art digital studios. We can be heard across the Central West of NSW
FM107.5, is a not-for-profit company limited by guarantee and a charity, managed by a Board of Directors and supported by members and presenters.
Our volunteers, members, sponsors and listeners help shape the sound of the region and provide an independent voice for the whole of the community.
For over 20 years we have broadcast in community languages to welcome people from diverse communities to the region.
Demonstrated ability to meet strategic plan milestones and budget goals.
High editorial judgement skills and ability to contribute to a broad spectrum of community program planning.
About you
Previous experience in the community/commercial broadcasting sector.
A demonstrated understanding of the role the community sector plays in the Australian media landscape.
Proven track record of raising advertising/sponsorship revenue at community and/or commercial media level.
Experience in management of the presentation and production of local radio programs, preferably with strong on-air presentation skills.
Technical knowledge of broadcasting systems.
Proven ability to lead and work effectively in a team of volunteers.
To chat about the opportunity call:
Indi Wood, Manager – Ph: 0421 154 426 or email secretary@fm1075.com.au using the subject line: Station Manager – Orange enquiry via EthicalJobs.
THE ORGANISATION
Orange Community Broadcasters Ltd. (OCB) – FM107.5 – operates a community radio license to broadcast across Blayney, Cabonne and Orange Local Government Areas and surrounding parts of the Central West of NSW. The studio is located upstairs above the Senior Citizens’ Hub in Orange and the transmitter is on Mount Canobolas (Gaanha-bula), both in Wiradjuri Country.
OCB is a not-for-profit company limited by guarantee and a charity, managed by a Board of Directors and supported by members and presenters. Our volunteers, members, sponsors and listeners help shape the sound of the region and provide an independent voice for the whole of the community.
PURPOSE OF THE ROLE
The purpose of the Station Manager role is to manage operations and growth of the station and collaborate with the Board to achieve the strategic plan and to build the capacity of FM107.5 to ensure the long-term sustainability of the radio station, including the ongoing funding of this role.
To achieve this objective, the manager will be required to acquire sponsorship income, donations, gifts and grants.
Salary Package/Benefits
Minimum $35 per hour (depending on experience and qualifications of applicant) + 11.5% superannuation
Hours/Days
Minimum 38 hours per week. Some weekend and evening work is required for events, volunteer support and meetings. Flexible to work additional hours to deliver projects funded by grants.
Additional Terms of Employment
Must have a driver’s license
Able to work after normal business hours
Must have a Working with Children Check, or the ability to obtain one.
Southern Cross Austereo (SCA) has unveiled its most advanced LiSTNR AdTech product yet, LiSTNR Precision+, a groundbreaking, world-first evolution in digital audio advertising, set to launch in October.
This world-first innovation cements LiSTNR as the global benchmark in digital audio advertising technology, unlocking rich audience insights and enabling smarter digital campaign strategies. Powered by cutting-edge AI combined with first party data signals from both LiSTNR and brands, LiSTNR Precision+ delivers real-time optimisation, empowering brands and agencies to execute more targeted and impactful audio campaigns.
LiSTNR’s market-leading AdTech capabilities, combined with full ownership of its technology roadmap, enable SCA to innovate rapidly. This allows for the development of advanced AdTech tools to manage and deliver campaigns across channels, while tailoring market-specific solutions for Australian advertisers, while continually developing advanced AdTech products that drive measurable results.
“LiSTNR Precision+ is not just an evolution – it’s a revolution in how digital audio campaigns are planned, delivered and optimised,” said Olly Newton, Executive Head of LiSTNR Commercial. “With real-time data, AI-powered targeting, and a platform built in Australia for agencies and advertisers, purpose-built for local market trends, we’re giving brands the tools to make every advertising dollar work harder.”
Launched in March 2024, the award-winning LiSTNR AdTech platform has transformed digital audio advertising in Australia, delivering multiple world-first media campaigns. SCA has continued to lead innovation with a clear focus: making every advertising dollar work harder. Now, with the release of LiSTNR Precision+, SCA continues to set the benchmark for innovation in one of the fastest-growing advertising channels.
“Our ability to deeply understand audiences and dynamically reach them is transforming the marketing funnel,” said Newton.“LiSTNR Precision+ redefines what’s possible in audio advertising, delivering measurable results and real-time intelligence at scale.”
The LiSTNR AdTech Hub powers SCA’s latest innovation by delivering world-first capabilities that drive measurable results for agencies and brands. Built on LiSTNR’s fully owned ecosystem and its highly engaged audience of 2.4 million users, the Hub unlocks powerful tools including expanded Dynamic Creative Optimisation (DCO), using variable data sets including LiSTNR’s own first party data and Advertiser Data Matching via privacy-first clean room solutions.
As one of Australia’s fastest-growing advertising channels, digital audio continues to be a strategic focus for SCA. With the release of LiSTNR Precision+, SCA reaffirms its leadership in the space delivering innovative, results-driven solutions for brands and agencies seeking meaningful engagement and stronger ROI.
About LiSTNR: The LiSTNR digital audio app, offering free and compelling digital audio content including SCA’s FM, AM, and DAB+ radio stations, live AFL, NRL, and international cricket coverage, over 50 music playlists, local news and over 800 podcast titles from leading Australian and global creators. With more than 2.4 million signed-in users on the LiSTNR app and with a total LiSTNR Audience Network that reaches an estimated ten million* people each month.
AFTRS scholarship recipients (Top L – R) Sasha Louise Parlett, Juno Shean, Sian Pannach, Kwame Slusher, Christina Booth, Saul Stavanger, Ricky Townsend; (Bottom L-R) Angie Geng, Emily Weeks, Dania Jordan, Claire Hazzard, Rebecca Graham, Jai, Helena Ivy Williams.
The Australian Film Television and Radio School (AFTRS) is proud to announce that scholarship applications are now open for our 2026 Award Course student intakes. These scholarships provide vital financial and practical support to help students from all walks of life access AFTRS’ world-leading screen and audio education.
Delivered in partnership with the AFTRS community, industry leaders, and alumni, these scholarships prioritise access and equity, and are a powerful investment in the future of Australian storytelling.
Among a raft of recent and long-standing scholarships, the prestigious Onbass Giant Steps Scholarship returns for its sixth year in 2026, with an increase in value from $22,500 to $30,000, escalating its mission to support gifted storytellers experiencing financial need.
Since 2020, this scholarship – made possible through the generous support of the Gentle Giant Media Group and the Onbass Foundation – has helped students cover living expenses, relocation costs, study resources, and more.
Founder and CEO of the Gentle Giant Media Group and a director of the Onbass Fund, Greg Basser, and his wife, Kiera O’Neill, are strongly committed to building and supporting creative talent from the grassroots, such as next-gen storyteller Helena Ivy Williams.
Helena, currently studying the Bachelor of Arts Screen: Production at AFTRS is the most recent recipient of the scholarship, which she said had enabled her to follow her dreams.
“[This] scholarship has not only given me the opportunity to attend AFTRS but to leap in with enthusiasm, confidence and the determination to make the most of this amazing opportunity,” she said. “I feel deeply passionate about the filmmaking craft and endeavour to create a space for real people to share their authentic truths with others.”
Head of Fundraising and Development Andrew Markwell said support from people like Greg and Kiera was vital in fulfilling AFTRS’ commitment to creating greater access to world-class education and building a more inclusive and representative screen industry.
“We know scholarships can be life-changing – they help break down barriers to education to ensure talent is recognised and nurtured,” Andrew said. “AFTRS invites individuals, organisations, and industry leaders to join our community and support future creatives. By donating or establishing a scholarship, you can help ensure that a career in screen and audio is accessible to all Australians – regardless of background, location and circumstance.”
The HOYTS Group is aligned with the AFTRS commitment to assist Aboriginal and Torres Strait Islander peoples overcome the barriers to education and fulfil their creative dreams and goals. The HOYTS Group First Nations Scholarship covers the tuition fee for the Bachelor of Arts Screen: Production course. It also includes a $2000 travel bursary to help the recipient and their family attend Graduation in Sydney.
The inaugural recipient of The HOYTS Group First Nations Scholarship Jai (surname withheld) said: “This scholarship means the world to me, as it opens up a path that I once thought was closed. When I came to AFTRS, I already had amassed a substantial student debt, so I believed that I would reach the HECS cap before I could complete a Master’s degree. Now, thanks to HOYTS, I [will be able to] continue studying beyond a Bachelor’s degree, refining my craft and finding my place in this industry.”
The Dylan Alcott Foundation Scholarship aims to break down barriers to education and empower aspiring filmmakers with a disability to achieve their creative dreams. This opportunity for a young Australian living with a disability offers one recipient full tuition for the three-year Bachelor of Arts Screen: Production course. Valued at over $50,000, this scholarship removes a significant financial hurdle, allowing a talented student to focus on their studies and hone their filmmaking skills.
Saul Stavanger, the inaugural recipient of the Dylan Alcott Foundation Scholarship, said: “The visual language of film is something that has transcended many barriers in my life, and through this scholarship, it is also transcending economic ones. Being able to attend AFTRS without the weight of debt has been a huge relief, and I am incredibly grateful to the Dylan Alcott Foundation for their support.”
The Anita Jacoby Trailblazer Scholarship seeks to empower outstanding female-identifying or gender-diverse applicants from across Australia who demonstrate remarkable leadership skills and entrepreneurial spirit while pursuing the Master of Arts in Screen: Business. This scholarship helps cover living expenses, educational materials, and other related costs, made possible through the generous support of acclaimed television producer and journalist Anita Jacoby.
Sian Pannach, the inaugural recipient of this scholarship, said: “I am incredibly grateful to receive the Anita Jacoby Trailblazer Scholarship. It provides me the support to keep building the kind of producer I hope to be – someone who listens, leads with intention, and pays it forward.”
The Constellation Creatives Scholarship aims to support and develop the career of an individual of Asian descent in the Australian screen industry by providing financial support for living expenses, educational resources or other related costs in the Bachelor of Arts Screen: Production course. An additional one-off payment of $5000 is available to the recipient in Year 3 of the course if they choose the Industry Placement elective. The scholarship is made possible through the generous support of Orion Lee.
Juno Shean, the inaugural recipient of the Constellations Creatives Scholarship, said: “I am a proud Korean-Australian storyteller and I hope that AFTRS can be a launchpad into a position where I can uplift and create positive impact for my community. This scholarship helps me immensely, especially due to moving out from Perth, and to have a little more financial security is so helpful.”
FIRST NATIONS SCHOLARSHIPS
In addition to The HOYTS Group First Nations Scholarship, the First Nations Creative Excellence Scholarship, supported by Kenneth Myer Fellowship Trust, provides opportunities for Aboriginal and Torres Strait Islander students. It is awarded to one or more recipients each year based on creative excellence or equity.
Sasha Louise Parlett, the First Nations Creative Excellence Scholarship recipient, said: “This scholarship means I can move to Sydney to study in my Masters in Directing. It allows me to focus on my studies. My goal is to be a First Nations director, highlighting First Nations’ and women’s stories.”
SCREEN SCHOLARSHIPS
Among the 40 scholarships supporting studies at AFTRS, the Australia for UNHCR Beddie Scholarship – a collaboration between the Australian Film Television and Radio School (AFTRS), Australia for UNHCR, Francesca Beddie and the Public Education Foundation – is offered every three years and is currently open for applications for the 2026 intake. The scholarship supports former refugees in pursuing careers in the creative industries, covering full tuition for the Bachelor of Arts in Screen: Production, with allocations for living expenses and an internship in Australia with the UNHCR.
The AFTRS Craft Excellence Scholarship supports female-identifying applicants who demonstrate excellence in craft in the disciplines of cinematography, sound, documentary, and editing in the Master of Arts Screen program. The scholarship is valued at $25,000 and provides a contribution towards living expenses, relocation costs, or study resources.
Angie Geng, the Craft Excellence Scholarship recipient, said: “I want to create work that represents communities like mine, those that experience life as a woman, a carer and an immigrant. These roles have valuable stories to be told, yet it is also these roles that make it much more difficult to pursue a career in the arts. This scholarship is the bridge between wish and reality, it alleviates a significant degree of financial strain and empowers me with the freedom to take risks, and to tell stories.”
As part of the continuing work to deliver equitable opportunities for women in cinematography, the Women in Cinematography Scholarship, sponsored by SONY, supports female or gender-diverse students enrolled in the Bachelor of Arts Screen: Production, to address the pronounced gender inequality in the cinematography craft area of the screen industry.
Emily Weeks, one of the Women in Cinematography Scholarship recipients, said: “The Women in Cinematography Scholarship is so much more than just financial support – it’s an empowering opportunity for women in the industry to develop our unique styles and voices, refine our craft both technically and artistically, and push the boundaries of cinematography. It provides a platform to explore innovative techniques and challenge ourselves to create something truly special.”
Christina Booth, another Women in Cinematography Scholarship recipient, added: “This scholarship has been a part of making me feel worthy and reassured in my skills. Cinematography is something I had always hoped to do but had doubt in myself, and my skills, and felt it was an industry a broke little Rooty Hill girl could never financially get into. The support of AFTRS and Sony have broken the constraints and doubt and allowed me the opportunity to flourish.”
Earlier this year, emerging director Ricky Townsend was announced as the second recipient of the AFTRS Alumni & Industry Fund Scholarship, joining the 2024 inaugural recipient, screenwriter Sarah Chahine. Both were recognised for their creative excellence. The AFTRS Alumni Advisory Group established the Alumni & Industry Scholarship Fund to award an annual scholarship in the Master of Arts Screen program to expand and enrich the School’s community and elevate innovative storytellers and diverse voices.
AUDIO SCHOLARSHIPS
Students pursuing a career in radio and broadcasting also have access to a range of scholarships dedicated to radio studies: the Glenn Daniel Smooth FM; Glenn Wheatley EON Innovation; Pariya Taherzadeh Radio and Podcasting; and CRA Regional Radio scholarships. These scholarships expand and enrich the school’s student community by recognising and supporting outstanding Graduate Diploma in Radio and Podcasting students, selected based on creative excellence and interest in radio news or journalism, innovation and representation.
Rebecca Graham, the Glenn Daniel Smooth FM Scholarship recipient, said: “This incredible opportunity not only supports my studies but also affirms my passion for news, journalism and storytelling and my commitment to excellence in radio and audio. Glenn Daniel’s legacy as a trusted journalist and broadcaster is truly inspiring, and I am committed to honouring his memory through my work. His dedication to ethical storytelling and connection with audiences sets a standard I aspire to uphold.”
Claire Hazzard, the Glenn Wheatley EON Innovation Scholarship recipient, said: “Receiving the Glenn Wheatley EON Innovation Scholarship is an honour which has enabled me to pursue my passion to study radio. Without it, study in this field would not have been possible for me. I love connecting with audiences, and after my time at AFTRS I’m keen to land a role in the production or announcing space.”
Dania Jordan, the Pariya Taherzadeh Radio and Podcasting Scholarship recipient, said: “I am a passionate woman who firmly believes in the power of storytelling through journalism to change the world. That’s why I am deeply grateful, humbled, and proud to have been appointed as the recipient of the Pariya Taherzadeh Radio & Podcasting Scholarship by the Australian Film Television and Radio School.”
Kwame Slusher, the CRA Regional Radio Scholarship recipient, said: “The scholarship has given me the chance to take a giant step forward in my radio and podcasting career! It’s also been a very validating experience recognising the skills that I have already achieved to this point.”
Applications for AFTRS 2026 award courses and scholarships are now open. To learn more about how to apply for the variety of scholarships on offer at AFTRS, please visit:
